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VELAZQUEZ, Diego Rodriguez de Silva y Predector mk237
1632
oil on canvas
62x50cm
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1632
Oil on canvas
127.5x86.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Prince mk237
1632
Oil on canvsa
117.8x95.9cm
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1632-1633
Oil on canvasd
189x124.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Filipu mk237
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VELAZQUEZ, Diego Rodriguez de Silva y The Woman Fry eggs mk237
1618
Oil on canvas
99x128cm
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VELAZQUEZ, Diego Rodriguez de Silva y Three musician mk237
1617
Oil on canvas
87x110cm
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VELAZQUEZ, Diego Rodriguez de Silva y Jesus in the Mary-s home mk237
1619-1620
Oil on canvas
60x103.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Jesus in the Mary-s home mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai mk237
1632
Oil on canvas
132x101.c5m
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VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai mk237
1628-1635
Oil on canvas
301x314cm
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VELAZQUEZ, Diego Rodriguez de Silva y Dean mk237
1633
Oil on canvas
1633
257x188cm
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VELAZQUEZ, Diego Rodriguez de Silva y Dean mk237
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Dean mk237
1633
Oil on canvas
257x188cm
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VELAZQUEZ, Diego Rodriguez de Silva y Clown mk237
1634
oil on canvas
198x121cm
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VELAZQUEZ, Diego Rodriguez de Silva y Clown mk237
1634
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Clown mk237
1634
Oil on canvas
209x123cm
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VELAZQUEZ, Diego Rodriguez de Silva y Prince mk237
1634-1635
Oil on canvas
209x173cm
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VELAZQUEZ, Diego Rodriguez de Silva y Assumption mk237
1618
Oil on canvas
135x101.6cm
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VELAZQUEZ, Diego Rodriguez de Silva y Oriental three doctor mk237
1619
Oil
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VELAZQUEZ, Diego Rodriguez de Silva y
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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